I was busy at the time with coursework, class-planning, and a half-dozen other academic and personal commitments, so my attention was spread thinly.
Hip Hop and Religion: The published version can be found at: The religious rhetorical output of many gangsta rappers, both textual and visual, points to the religious ethos embraced by many marginalized inner city individuals who see the discourse of gangsta rap as containing a form of religious phronesis practical wisdom.
This output focuses on some telling characteristics: Several textual and visual examples from a number of rappers are discussed. The pervasiveness of religious thought, rhetoric, and symbolism is seen in its deep-rooted connections to historical, social, political, and popular discourse and action.
This resource of social agency, in this case rap, can both be revealing and formative. Hip Hop music and culture are telling sources of identity for myriad of people in the United States and beyond and can teach us much about the religious beliefs of those who produce and closely identify with them.
More intriguing is the fact that a sub-genre of rap music, gangsta rap, known mainly for its crude and violent rhetoric, also contains a vast amount of religious discourse and imagery.
Religious discourse in gangsta rap may be seen as an incompatible paradox but rhetorical analysis reveals a complicated and layered paradox in which the producers of gangsta rap, and those who strongly identify with its message, attempt to reconcile personal and social marginalization with religious thought.
This is not to say that gangsta rappers are highly religious, but there is ample evidence in textual and visual form to show that religion does indeed play a role in their worldviews. The religious rhetorical output of gangsta rap displays key characteristics of the religious ethos of marginalized inner city communities, especially of those who strongly identify with the message of gangsta rap.
One characteristic is a strong solidarity with Jesus Christ and an embracing of Him as a symbol of suffering and marginalization. On a more important level, Jesus, and His life story, are also embraced because they point to suffering caused by an unjust society and because they represent meaning-in-suffering and hope beyond suffering.
It is Jesus, among the most recognizable religious figure-heads, who most represents suffering and is predominantly who gangsta rappers most identify with in the religious realm.
Finally, gangsta rap seems to fully embrace the notion that good and evil exist simultaneously within individuals and society. These characteristics are displayed by vast amounts of textual and visual rhetoric, some of which will be discussed here, and in the lived experiences of many gangsta rappers.
Some of these rappers include Tupac, Notorious B. Their religious rhetoric is an important piece of the rhetorical landscape and the terrain of religious scholarship and one that should not be trivialized or ignored. Gangsta Rap and Christian Rhetoric: Between Religion and the Jesus Trope The stone which the builders rejected, The same was made head of the corner; This was from the Lord, And it is marvelous in our eyes?
Yet, a deeper study of religious rhetoric and imagery in gangsta rap music reveals a complex connection between the identity of those who produce and strongly identify with the musical genre and the religious figure of Jesus Christ.
This connection is forged mainly through two themes that are central to both—struggle and marginalization. This emphasis on Jesus may be seen by some as a simple extension or re-use of the Jesus trope in pop culture and entertainment.Merely stated. Rhetoric is the art of speech production or composing in an effectual manner.
It is a accomplishment by agencies of which one can carry the audience.
It is one of three ancient humanistic disciplines of discourse. Discourse on the other manus. is a verbal exchange of thoughts or more merely a argument. Phronesis. Rhetoric; Rhetoric is the primary tool for knowledge and discourse in Philosophy.
In fact Philosophy comes from philo + Sophia = love of Sophia — the Greek goddess of Wisdom. The rhetor in The Rhetoric is the consort of Sophia — he is wooing wisdom.
In many ways it is a Romantic metaphor.
Rhetoric: Rhetoric applies to all of the strategies, modes, and devices needed for effective communication. Modes of Discourse: Exposition illustrates a point. Narration tells a story. Description creates a sensory image. Argumentation takes a position on an issue and defends it.
Rhetorical Strategies: example, compare/contrast, definition, cause and effect, process analysis, division and . Read this essay on Rhetorical Analysis of Presidential Speech. Come browse our large digital warehouse of free sample essays.
Get the knowledge you need in order to pass your classes and more. Only at tranceformingnlp.com". ¿The Rhetorical Phrominos: Political Wisdom in Postmodernity¿ M. Lane Bruner To formulate a contemporary conception of political wisdom, this essay combines recent philosophical attacks on the rational subject with Aristotle¿s notion of phronesis, or ¿practical¿ wisdom.
The religious rhetorical output of many gangsta rappers, both textual and visual, points to the religious ethos embraced by many marginalized inner city individuals who see the discourse of gangsta rap as containing a form of religious phronesis (practical wisdom). This output focuses on some telling characteristics: solidarity with Jesus.